Baithak 21 - A fitting start for Diwali

Five classical vocalists performed this October evening - two Carnatic and three Hindustani, representing three gurus, showcasing ten ragas, with compositions in four languages, and in praise of seven gods! The packed Dheemtana audience thoroughly enjoyed the rich musical feast.

Apurva Chakravorty opened the proceedings for Baithak 21, accompanied by Rama Garimella on the tabla, and Shishir Neelakant on the harmonium. Apurva sang raga Kedar - the beautiful "Painjani Baaje" describing Krishna as a toddler, by Pt. Ramashreya Jha in teental, followed by "Sharan Aayo" penned by Guru Nanak, also in teental. In her third Dheemtana appearance Apurva sang confidently, executing reference versions of the compositions, interspersed with well delivered alaaps and taans - both in sargam and aakaar. Apurva concluded with a Basavanna vachana "Yennaginta Kiriyara illayya" in raga Gara. Rama was crisp and competent on the tabla, with Shishir being likewise supportive on the harmonium while accompanying Apurva.

Sravya Rallapalli was up next, in her maiden concert, accompanied by Vinay Raghuram on the violin and Gopal Ravindhran on mridangam. Sravya opened with Muthuswamy Dikshitar's "Maha Ganapathim" in raga Nattai, Eka taala, followed by "Mangambuthi" on Lord Hanuman in raga Dharmavathi, Adi taala, penned by Annamacharya, concluding with her guru Smt. Jayashree Varadarajan's composition in raga Abhogi "Jaya Jaya Jayashree Varamahalakshmi"
in Adi taala. Sravya sang with maturity and was melodious throughout, bringing out well the mood of each raga and the bhava of each composition. Vinay accompanied beautifully on the violin, with Gopal enhancing the performance with his lively mridangam playing.

Gayatri Sabne was the next singer, accompanied by Vishnu Nair on tabla, and Shishir Neelakant on harmonium. Gayatri sang raga Durga - the traditional "Ata hi Ghanghor" in vilambit Rupak, followed by a tarana in drut teental. In her 4th Dheemtana appearance, Gayatri sang with authority and flourish, wowing the Dheemtana audience. Her full-throated rendition brought the graceful raga Durga to life, with beautiful alaaps and strong taans. Vishnu was steady with his theka on the tabla, and Shishir in perfect step with his harmonium accompaniment to Gayatri.

NavyaMaithri Konda sang next, in her first concert, with Vinay Raghuram on violin, and Gopal Ravindhran on violin. Navya opened with Sripadaraya's somber composition in Bhowli, Adi taala, "Parvathi varasutha", followed by "Rara Rajeeva Lochana" in Mohana, Adi taala, and concluding with her guru Smt. Jayashree Varadarajan's composition in raga Yaman, "Govinda Namo", Adi taala. Navya was spirited and energetic in her singing, and her swara kalpana in
Mohana with Vinay's excellent violin accompaniment was pleasing. Gopal shone in his mridangam playing and his short tani avartanam left the audience wanting to hear more.

Pramod Korwar brought the curtain down on the evening of multi-hued music, singing the melodious raga Chhaya Nat. Accompanying Pramod on tabla was Rama Garimella, with Medha Korwar on the harmonium. Pramod sang the traditional madhyalaya composition "Eri Maalaniya" in Addha Teentaal. Pramod sang unhurriedly and with relish, bringing out the gentle beauty of the raga. Rama was steady on the tabla with her addha, and Medha in sync with
her father on the harmonium.

The Dheemtana website has already been updated with pics, audio, and video from Baithak 21 - please enjoy!

Baithak 22 is next - on Saturday, December 18th, again in Los Altos Library.There is just one performance spot still open, so if you'd like to perform, please send in requests to dheemtanabaithaks@gmail.com, or dheemtana@gmail.com.

Till then, GO DHEEMTANA!

And, wishing all Dheemtana-ites a very Happy Deepavali!

Thank you,
Dheemtana Baithaks

Dheemtana is 4!!!! Years Old -- A Grand Celebration to mark the event

Dear Dheemtanites,
We just completed four years, and what better way to celebrate the coming of age of the community. We had a novel baithak with different genres of Indian classical music portrayed to highlight the open forum that Dheemtana provides to our younger artists.

The melodious strings of Anooshka's Sitar beckoned the start of the musical journey for the evening. She started with Raag Pilu and very elegantly finished off with Raag Megh. The faster paced Raag Megh was a delight to listen and Vikas Yendluri's dexterous fingers flying on Tabla did a fantastic job supporting Anooshka.

After Anooshka it was time for us to move further south in India to Carnatic Music. Anirudh Venkatesh ensured that everyone, including the audience who were not familiar with the language, were comfortable with the melody that emanated from him. He started with a Saint. Tyagaraja composition in Raga Janaranjani. How apt was that? Not only did the Raga be Janaranjani, his singing it made it even better Manoranjan for the group. True to his word or singing, he rendered his second piece in Raga Todi, if the kalpana swarams of the previous piece did not get all the audience, his alapana of Todi quietened down the crowd to a pregnant silence. Just as they were expecting his shower of fast paced kalpana swarams pulled out of his immense quiver of music kept the audience spell bound to this person with a very humble but yet powerful demeanor. Anirudh topped off his rendition with a small piece in Raga Mand to a feeling of insufficiency from the audience. He was supported wonderfully by Sri. Ragavan Manian on violin and Sri. Ganesh Ramanarayanan on mridangam.

The pace and the bar was set for the main performance of the evening, with Smt. Sujata Ghanekar. She started off with an exquisite vilambit in Raag Gawti, her captivating voice almost immediately mesmerized the crowd. Smt. Sujata's voice spanning at least three octaves was a delight to listen to. She continued her concert with a wonderful tarana in Raag Hamsadwani. Her varying pace taans in the tarana were exquisitely delivered and left the listeners wanting for more, which they did get in the form of exquisitely rendered Marati Natyageet. She concluded the event with a bang and the highlight of the day, "Bhavani Dayani" in Raag Bhairavi. A fitting tribute to the upcoming Navarathri, Durga Pooja and Dasara. The audience were enthralled by the rendition of such a beautifully composed prayer to Goddess Bhavani.

With a longing for more music, we drew the curtains on the wonderful evening which was elegantly compered by Smt. Anupa Chakravorty. Sri. Padmanabha Rao and his family, an ardent supporter and founding member of the group helped immensely in setting up the place for the show. The videos will definitely highlight the wonderful job that was performed to pull through such a good show.

The website has been updated, so please enjoy the lovely music once more.

GO DHEEMTANA!!!
Website: http://www.dheemtana.org
Attend Baithaks, Perform; Attend Baithaks, & Perform Better

Summary of Baithak 19 - August 14th 2010 The summer baithak of Dheemtana was special - five Hindustani vocalists performed, representing three different gurus, and airing eleven ragas! Pragathi Guruprasath was up first, performing Kalavati as her main piece. She was accompanied on the tabla by Shashank Patil, and on the harmonium by Shri Manoj Tamhankar. In Kalavati Pragathi sang Piya Ghar Aaye, in Vilambit Ektaal, followed by Saajana Tore Bin in Drut Teental, both by Tanarang (Pt. Viswanath Ringe). Pragathi impressed with her open throated and resonant voice and the phirath she was able to exhibit with it. Pragathi closed with a Marathi Abhang - Vaikuntha Pandhari, by Sant Chokha MeLaa set as a ragamala by Shri Manoj Tamhankar based on ragas Deshkar, Janasammohini, Yaman, and Bhimpalas. Pragathi brought the spirited abhang to life, aided by Shashank's lively tabla saath, and Manoj-ji's encouraging presence. Ranjita Swamy was up next, singing Lalit, with Vikas Yendluri on tabla and Shishir Neelakant on harmonium. Ranjita sang the traditional vilambit ektaal bandish Raina ka Sapna, and Jogiya more ghar aaye in drut Teentaal. Ranjita's singing was intense and meditative and transported the audience to a different time and place, specially the dream like Raina ka Sapna. Vikas and Shishir's camaraderie was evident as they played creatively and interactively with laya while accompanying Ranjita. Shouvik Neogi performed Bageshree next, with Amit Rao on tabla, and Ameya Rao on harmonium. Shouvik sang Binati suno mori in madhalaya jhaptaal, followed by Binati karat in drut ektaal. Shouvik's was a solid, no-frills performance, bring out the inherent sweetness of Bageshree, and delivering the two binatis (pleas) well, (one to Lord Rama, and the other to a romantic husband), with likewise solid support from Amit and Ameya. Priyank Desai sang next, performing two beautiful Ramrang (Pt. Ramashreya Jha) compositions - the first Mukuta Vaarun in Kirwani, drut Ektaal, and the second Chanchal Chapala Chapalaasi in Shahana Kanada, in drut teentaal. Accompanying Priyank on tabla and harmonium were the familiar duo of Vikas Yendluri and Shishir Neelakant. Priyank did justice to both compositions, and both ragas, performing them competently and melodiously, aided by likewise competent saath. Shishir Neelakant brought up the finale, with Raga Hemant, singing two Ramrang compositions - Hamari sudh leeje in Addha Teental, followed by Bairan Bhayo in Drut Ektaal. Accompanying Shishir on tabla and harmonium were Vikas Yendluri and Medha Korwar. Shishir turned in an outstanding performance, keeping the audience spellbound specially with his sargam layakaari, which was like a conducted tour of swara-space in Hemant, on a roller-coaster! It was filled with surprise changes in speed and direction, and lots of excitement with novel taan patterns, and unexpected ways of catching the sam. Medha and Vikas kept up with Shishir in speed and dexterity, to an appreciative audience. Shishir concluded with a Bhairavi bhajan - Khelat Hai Giridhari, beautifully bringing down the curtain on a wonderful evening of music. The next Baithak 20 is the much awaited 4th Anniversary Baithak, for which an interesting program is being worked out, as are date/venue. Look for an email announcement shortly about this, as well as for the website (dheemtana.org) update with pictures/audio/video for Baithak 19. Baithak 21 follows on October 30th, and Baithak 22 on Dec 18th, both in Los Altos Library. If you would like to perform at either, please send in email to dheemtanabaithaks@gmail.com And till then, GO DHEEMTANA!

Baithak 17 - Short but Sweet Baithak

Summary of Dheemtana Baithak 17: March 27th, 2010 Baithak 17 was short and very sweet - we had performances by three young Hindustani vocalists, all students of Shri Nachiketa Sharma. Apurva Chakravorty started the spring evening with Raag Brindaavani Saarang, singing the somber Ghana Gagan Garajata in Madhalaya Jhaptaal, followed by the brisk Jaaun Mein Tope Balihaari in Drut Teentaal. Apurva delivered melodious alaaps, and high energy sargam taans all with a pleasing level of confidence and competence, in only her second performance at Dheemtana. Accompanying Apurva on tabla was Smt. Rama Garimella, and on harmonium Shishir Neelakant, both veterans of Dheemtana Baithaks. Prachi Prasad was next, with Raag Alhaiya Bilawal. Prachi sang three compositions - Le Teri Lakadi in Madhayalaya Jhaptaal, then Roke Thaado Gail Mori in drut Teental, followed by a sprightly Tarana. Prachi was melodious throughout, and her voice in the taar saptak was specially beautiful, with bell-like clarity. Prachi has grown impressively as a performer, since her maiden performance at Dheemtana, about a year ago. Accompanying Prachi supportively on tabla and harmonium were Smt. Rama Garimella and Medha Korwar. Sarathi Garimella was the third performer, singing Raag Durga. Sarathi sang the vilambit Sundara Roopa Salone in Rupak taal, and Man Mohana Jaa in drut Teentaal. Sarathi navigated the wordy vilambit bandish carefully taal-wise, and did well with alaaps, layakaari and taans. Sarathi closed the evening with a heartfelt Nanak Bhajan - Sumiran Karle in raga Gara, set in Bhajani taal. After finishing, Sarathi drew sustained applause when it was announced that this was his first solo public performance. Accompanying him on tabla was his mother, Smt. Rama, and on harmonium Shishir Neelakant, both able saathis. The heart-warming performances by these youngsters, the festive stage and backdrop, and good snacks and company, all made it a satisfying evening for the encouraging Dheemtana audience. The next Baithak is Saturday, May 1st, 6:15 pm, again in Los Altos Library. See you there! Call for Performers: We welcome requests for performance slots by all student performers - both adults and children, in all categories - instrumental, vocal, Carnatic, Hindustani, and from all Bay area Indian Classical music schools. We request that you attend at least two Baithaks before your performance Baithak. Here is a link to other performer guidelines. The upcoming Baithak 18 on May 1st has a full agenda, there are currently two open spots for Baithak 19 on June 13th. Here is the Baithak calendar for the remainder of 2010: Baithak 18: Saturday, May 1st Baithak 19: Sunday, June 13th Baithak 20: Saturday, July 31st OR Sunday Aug 1st, Home Baithak Baithak 21: Saturday, September 18th - Anniversary Baithak Baithak 22: Saturday, October 30th Baithak 23: Saturday, December 18th Please send in slot requests to dheemtanabaithaks@gmail.com, or to dheemtana@gmail.com. Likewise if you would like to host Baithak 20, the home Baithak this summer. Thank you, Dheemtana Baithaks.

Baithak 16 - Summary

Summary of Baithak 16: Feb 6, 2010 The first Dheemtana Baithak of this year was a vocal one - the three student performers and the invited guest speaker were all Hindustani classical vocalists. Sucheta Korwar, a student of Shri Nachiketa Sharma, opened the proceedings, appropriately with morning raga Todi. Sucheta sang the traditional Mero man yaad karo in vilambit ek taal, followed by Pt. Ramashreya Jha Ramrang's composition Tanak Hero Hamari Aur in drut teentaal. In this beautiful composition Ramrang asks Goddess Saraswati to bestow on the seeker the gifts of taal, taan, and swara. Sucheta's rendition brought out the somber beauty of Todi, and she did justice to both compositions with well executed alaaps and layakaari. Accompanying Sucheta on the tabla was Amit Rao, whose lively playing enhanced the proceedings, as did that of Medha Korwar on the harmonium, who drew a dramatic "kya baat hai!" from her sister. Shri Nachiketa Sharma, the invited lec-dem speaker was next, elaborating on "KaN swar". Nachiketa explained a KaN swar as an inflexion, or a touch of a neighboring note. This neighboring note may be part of that raga, or could be a foreign note. He demonstrated by singing examples from ragas Bhairav (the komal Dhaivat is made alive at various times with a KaN of either the shuddha Dhaivat, or komal Nishaad), Darbari Kanada(the komal Ga is andolita with a KaN of the shuddha Gandhar), Shuddha Kalyan, and Yaman. Nachiketa also talked about how "swara" is not synonymous with "note", since in Indian Classical music the concept of "swara" encompasses more - approach, inflexions, tugs, etc. Nachiketa-ji's easy style of talking, and eloquent vocals went down well with the appreciative Dheemtana audience. Manasi Aranake was up next, a student of Smt. Archana and Shri Manoj Tamhankar, and a first time performer at Dheemtana. Manasi sang three compositions in raga Shuddha Sarang - in vilambit ektaal: A bana bana aaya, in madhyalay teentaal: Faiyaz Khan Prempiya's Ab mori baat, and drut: Prabho Toomhare re Daras ki Aas Lagee, adding on a Marathi Abhang at the end. Manasi sang like a seasoned performer, with a confident and strong voice, and graceful meends in her alaaps. Giving supportive saath to Manasi were Shri Sudershan Siddhaye on tabla, and Shri Manoj Tamhankar on harmonium. (The Dheemtana audience then took a short break from the musical feast to do justice to the wonderful snacks and tea.) Rhucha Joshi closed the evening's musical session with raga Miyan Malhar. Rhucha, a student of Smt. Shubhangi Sakhalhar, sang the canonical vilambit - Adarang's Karim Naam Tero, and in drut ektaal Barasan Laagi re. Rhucha's Miyan Malhar was introspective and beautiful as she sang with complete absorption, exhibiting the tonal purity and delicate touches which are the hallmark of her Guru. Accompanying Rhucha on tabla was Shri Kedar Karmarkar, with Ameya Rao on the harmonium, both giving competent saath. The next Dheemtana Baithak is on Saturday, March 27th, at 6:15 pm, again in Los Altos Library. See you all there! And till then, Go Dheemtana!!!