Monday, November 1, 2010
Baithak 21 - A fitting start for Diwali
Five classical vocalists performed this October evening - two Carnatic and three Hindustani, representing three gurus, showcasing ten ragas, with compositions in four languages, and in praise of seven gods! The packed Dheemtana audience thoroughly enjoyed the rich musical feast.
Apurva Chakravorty opened the proceedings for Baithak 21, accompanied by Rama Garimella on the tabla, and Shishir Neelakant on the harmonium. Apurva sang raga Kedar - the beautiful "Painjani Baaje" describing Krishna as a toddler, by Pt. Ramashreya Jha in teental, followed by "Sharan Aayo" penned by Guru Nanak, also in teental. In her third Dheemtana appearance Apurva sang confidently, executing reference versions of the compositions, interspersed with well delivered alaaps and taans - both in sargam and aakaar. Apurva concluded with a Basavanna vachana "Yennaginta Kiriyara illayya" in raga Gara. Rama was crisp and competent on the tabla, with Shishir being likewise supportive on the harmonium while accompanying Apurva.
Sravya Rallapalli was up next, in her maiden concert, accompanied by Vinay Raghuram on the violin and Gopal Ravindhran on mridangam. Sravya opened with Muthuswamy Dikshitar's "Maha Ganapathim" in raga Nattai, Eka taala, followed by "Mangambuthi" on Lord Hanuman in raga Dharmavathi, Adi taala, penned by Annamacharya, concluding with her guru Smt. Jayashree Varadarajan's composition in raga Abhogi "Jaya Jaya Jayashree Varamahalakshmi"
in Adi taala. Sravya sang with maturity and was melodious throughout, bringing out well the mood of each raga and the bhava of each composition. Vinay accompanied beautifully on the violin, with Gopal enhancing the performance with his lively mridangam playing.
Gayatri Sabne was the next singer, accompanied by Vishnu Nair on tabla, and Shishir Neelakant on harmonium. Gayatri sang raga Durga - the traditional "Ata hi Ghanghor" in vilambit Rupak, followed by a tarana in drut teental. In her 4th Dheemtana appearance, Gayatri sang with authority and flourish, wowing the Dheemtana audience. Her full-throated rendition brought the graceful raga Durga to life, with beautiful alaaps and strong taans. Vishnu was steady with his theka on the tabla, and Shishir in perfect step with his harmonium accompaniment to Gayatri.
NavyaMaithri Konda sang next, in her first concert, with Vinay Raghuram on violin, and Gopal Ravindhran on violin. Navya opened with Sripadaraya's somber composition in Bhowli, Adi taala, "Parvathi varasutha", followed by "Rara Rajeeva Lochana" in Mohana, Adi taala, and concluding with her guru Smt. Jayashree Varadarajan's composition in raga Yaman, "Govinda Namo", Adi taala. Navya was spirited and energetic in her singing, and her swara kalpana in
Mohana with Vinay's excellent violin accompaniment was pleasing. Gopal shone in his mridangam playing and his short tani avartanam left the audience wanting to hear more.
Pramod Korwar brought the curtain down on the evening of multi-hued music, singing the melodious raga Chhaya Nat. Accompanying Pramod on tabla was Rama Garimella, with Medha Korwar on the harmonium. Pramod sang the traditional madhyalaya composition "Eri Maalaniya" in Addha Teentaal. Pramod sang unhurriedly and with relish, bringing out the gentle beauty of the raga. Rama was steady on the tabla with her addha, and Medha in sync with
her father on the harmonium.
The Dheemtana website has already been updated with pics, audio, and video from Baithak 21 - please enjoy!
Baithak 22 is next - on Saturday, December 18th, again in Los Altos Library.There is just one performance spot still open, so if you'd like to perform, please send in requests to dheemtanabaithaks@gmail.com, or dheemtana@gmail.com.
Till then, GO DHEEMTANA!
And, wishing all Dheemtana-ites a very Happy Deepavali!
Thank you,
Dheemtana Baithaks
Dheemtana is 4!!!! Years Old -- A Grand Celebration to mark the event
Dear Dheemtanites,
We just completed four years, and what better way to celebrate the coming of age of the community. We had a novel baithak with different genres of Indian classical music portrayed to highlight the open forum that Dheemtana provides to our younger artists.
The melodious strings of Anooshka's Sitar beckoned the start of the musical journey for the evening. She started with Raag Pilu and very elegantly finished off with Raag Megh. The faster paced Raag Megh was a delight to listen and Vikas Yendluri's dexterous fingers flying on Tabla did a fantastic job supporting Anooshka.
After Anooshka it was time for us to move further south in India to Carnatic Music. Anirudh Venkatesh ensured that everyone, including the audience who were not familiar with the language, were comfortable with the melody that emanated from him. He started with a Saint. Tyagaraja composition in Raga Janaranjani. How apt was that? Not only did the Raga be Janaranjani, his singing it made it even better Manoranjan for the group. True to his word or singing, he rendered his second piece in Raga Todi, if the kalpana swarams of the previous piece did not get all the audience, his alapana of Todi quietened down the crowd to a pregnant silence. Just as they were expecting his shower of fast paced kalpana swarams pulled out of his immense quiver of music kept the audience spell bound to this person with a very humble but yet powerful demeanor. Anirudh topped off his rendition with a small piece in Raga Mand to a feeling of insufficiency from the audience. He was supported wonderfully by Sri. Ragavan Manian on violin and Sri. Ganesh Ramanarayanan on mridangam.
The pace and the bar was set for the main performance of the evening, with Smt. Sujata Ghanekar. She started off with an exquisite vilambit in Raag Gawti, her captivating voice almost immediately mesmerized the crowd. Smt. Sujata's voice spanning at least three octaves was a delight to listen to. She continued her concert with a wonderful tarana in Raag Hamsadwani. Her varying pace taans in the tarana were exquisitely delivered and left the listeners wanting for more, which they did get in the form of exquisitely rendered Marati Natyageet. She concluded the event with a bang and the highlight of the day, "Bhavani Dayani" in Raag Bhairavi. A fitting tribute to the upcoming Navarathri, Durga Pooja and Dasara. The audience were enthralled by the rendition of such a beautifully composed prayer to Goddess Bhavani.
With a longing for more music, we drew the curtains on the wonderful evening which was elegantly compered by Smt. Anupa Chakravorty. Sri. Padmanabha Rao and his family, an ardent supporter and founding member of the group helped immensely in setting up the place for the show. The videos will definitely highlight the wonderful job that was performed to pull through such a good show.
The website has been updated, so please enjoy the lovely music once more.
GO DHEEMTANA!!!
Website: http://www.dheemtana.org
Attend Baithaks, Perform; Attend Baithaks, & Perform Better
We just completed four years, and what better way to celebrate the coming of age of the community. We had a novel baithak with different genres of Indian classical music portrayed to highlight the open forum that Dheemtana provides to our younger artists.
The melodious strings of Anooshka's Sitar beckoned the start of the musical journey for the evening. She started with Raag Pilu and very elegantly finished off with Raag Megh. The faster paced Raag Megh was a delight to listen and Vikas Yendluri's dexterous fingers flying on Tabla did a fantastic job supporting Anooshka.
After Anooshka it was time for us to move further south in India to Carnatic Music. Anirudh Venkatesh ensured that everyone, including the audience who were not familiar with the language, were comfortable with the melody that emanated from him. He started with a Saint. Tyagaraja composition in Raga Janaranjani. How apt was that? Not only did the Raga be Janaranjani, his singing it made it even better Manoranjan for the group. True to his word or singing, he rendered his second piece in Raga Todi, if the kalpana swarams of the previous piece did not get all the audience, his alapana of Todi quietened down the crowd to a pregnant silence. Just as they were expecting his shower of fast paced kalpana swarams pulled out of his immense quiver of music kept the audience spell bound to this person with a very humble but yet powerful demeanor. Anirudh topped off his rendition with a small piece in Raga Mand to a feeling of insufficiency from the audience. He was supported wonderfully by Sri. Ragavan Manian on violin and Sri. Ganesh Ramanarayanan on mridangam.
The pace and the bar was set for the main performance of the evening, with Smt. Sujata Ghanekar. She started off with an exquisite vilambit in Raag Gawti, her captivating voice almost immediately mesmerized the crowd. Smt. Sujata's voice spanning at least three octaves was a delight to listen to. She continued her concert with a wonderful tarana in Raag Hamsadwani. Her varying pace taans in the tarana were exquisitely delivered and left the listeners wanting for more, which they did get in the form of exquisitely rendered Marati Natyageet. She concluded the event with a bang and the highlight of the day, "Bhavani Dayani" in Raag Bhairavi. A fitting tribute to the upcoming Navarathri, Durga Pooja and Dasara. The audience were enthralled by the rendition of such a beautifully composed prayer to Goddess Bhavani.
With a longing for more music, we drew the curtains on the wonderful evening which was elegantly compered by Smt. Anupa Chakravorty. Sri. Padmanabha Rao and his family, an ardent supporter and founding member of the group helped immensely in setting up the place for the show. The videos will definitely highlight the wonderful job that was performed to pull through such a good show.
The website has been updated, so please enjoy the lovely music once more.
GO DHEEMTANA!!!
Website: http://www.dheemtana.org
Attend Baithaks, Perform; Attend Baithaks, & Perform Better
Friday, August 20, 2010
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Monday, April 12, 2010
Baithak 17 - Short but Sweet Baithak
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Wednesday, February 17, 2010
Baithak 16 - Summary
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Sunday, October 25, 2009
Dheemtana's Third Anniversary Gift - RAMRANG Vol1
Dheemtana has successfully completed three years of its musical journey. We had a very colorful and eventful three years with each of the Annual Baithaks being special. This year was no exception with two wonderful performances by Sri. Prasad Bhandarkar and Sri. Nachiketa Sharma.
With the release of CD out of the way, Sri. Nachiketa topped off the evening beginning with the very first composition of Ramrang in Raag Hamsadwani "Kal Na Parey", followed it with yet another classic in Raag Chayabihaag. Though Diwali had set in, Nachiketa's next rendition of the Ramrang's Magnum Opus(As put by Nachiketa) was the Raagmaala, an ode to Goddess Saraswathi, taking us back 10 days into Dasara. This masterpiece a amalgam of 23 raags, is beaded such that the name of Raag is intertwined into the lines of song and with each word carefully positioned to deliver a ode the Goddess. Nachiketa's devotion and his passion for Ramrang, is clearly evident when this rendition of the Raagmala is heard. Nachiketa ended the evening, with Dheemtanites anxious for more, with yet another jewel of Ramrang in Raag Bilaskhani Todi, a composition in the praise of Goddess Durga.
It would be unfair to just say that Sri. Ravi and Sri. Vivek provided excellent support, They indeed were the part of the whole that made the listening intensely pleasurable. The chemistry between the three artists has to be seen to be believed, when they get onto the stage it seems like it is one person performing. It has been the delight of Dheemtanites and Bay Area to watch the three perform on stage. HATS OFF!!! to trio who make it seem effortless to render such a wonderful yet complicated piece of music on stage. The recordings posted and the CD is a testament to the same.
With that note, Dheemtana celebrated its third birthday, of course, with a lavish dinner provided by the Dheemtanites, still swimming in the Raagmala and Bilaskhani Todi. Thanks to all the volunteers the event was a complete success and once again thanks to the Bay Area Gurus specially for being a backbone to the organization and encouraging us to go further, of course none of this would be possible without the active support of Dheemtanites. Three Cheers to Dheemtana!! HIP HIP HURRAY!!
The website has been updated with all the recordings, under Events->2009->Baithak 14.
The RAMRANG Vol-1 CD is available as of now at the RAAGA MUSIC STORE, 1016, E. El Camino Real, Sunnyvale, CA - 94087. Please go ahead and pick a copy of the CD. It is also available to be ordered on the Web for non Bay Area residents.
Prasad, accompanied by Akshay Naresh, who came down specifically for this event, started the evening with a wonderful rendition of Raag Puriya Kalyan, the sombre alaap that he transgressed the audience into a meditative mood. He followed it with yet another beautiful rendition of Raag Durga, apt for the Diwali evening. Prasad ended his part of the evening with Raag Shivaranjani. The tabla of Sri. Ravi Gutala did the talking to provided the fireworks needed to light up the evening.
The mood set by Prasad-Ji was elevated to yet another level for Dheemtanites with the release of their first "RAMRANG - VOL1", a Tribute to the legendary Pt. Ramashreya Jha, by none other than the Thri-Murthies of Bay Area Hindustani circles, Sri. Nachiketa Sharma, Sri. Ravi Gutala, and Sri. Vivek Datar.
It would be unfair to just say that Sri. Ravi and Sri. Vivek provided excellent support, They indeed were the part of the whole that made the listening intensely pleasurable. The chemistry between the three artists has to be seen to be believed, when they get onto the stage it seems like it is one person performing. It has been the delight of Dheemtanites and Bay Area to watch the three perform on stage. HATS OFF!!! to trio who make it seem effortless to render such a wonderful yet complicated piece of music on stage. The recordings posted and the CD is a testament to the same.
With that note, Dheemtana celebrated its third birthday, of course, with a lavish dinner provided by the Dheemtanites, still swimming in the Raagmala and Bilaskhani Todi. Thanks to all the volunteers the event was a complete success and once again thanks to the Bay Area Gurus specially for being a backbone to the organization and encouraging us to go further, of course none of this would be possible without the active support of Dheemtanites. Three Cheers to Dheemtana!! HIP HIP HURRAY!!
The website has been updated with all the recordings, under Events->2009->Baithak 14.
The RAMRANG Vol-1 CD is available as of now at the RAAGA MUSIC STORE, 1016, E. El Camino Real, Sunnyvale, CA - 94087. Please go ahead and pick a copy of the CD. It is also available to be ordered on the Web for non Bay Area residents.
Sunday, April 5, 2009
Baithak 13 - Season of change
Arrival of Spring
Change is in the air all around us, Dheemtana definitely is not immune to this. The Baithak 13 heralded this with new artists on the stage, and an amalgamation of raags. The organization of the baithaks become streamlied with some of the activities being handed over to committees. Thanks to Kalyani Prasad for volunteering to handle the food committee which was a little lacking since we moved the venue to Los Altos Library hall. Yesterday's feast at the end of baithak made sure this is changed for good. Dheemtana has been fortunate that Annaji Garimella has de-facto become the Video Committee head, we have been recording all the videos but due to the lack of internet bandwidth we are forced not to put up the videos. We will try to use some of the free streaming sites to add these videos into, and link it to our sites. This a definite change that has to happen.
Baithak 13 started with the first of the new artists, Sonia Dubey, she presented Raag Durga. A wonderful rendition, a short but sweet performance. She was accompanied on the harmonium by Rhucha Joshi, who did a fantastic job on the peti, on tabla was Rhucha's brother Rahul Joshi who did a wonderful job on the tabla. Dheemtana would definitely do more with these younsters in the team. Sonia's raagdhari, and presentation skills was worth mentioning.
Prachi Prasad, yet another first timer, did a superb job of Raag Tilak Khamod. The "Begi Begi Aaye Hari" was wonderfully rendered, and fitting invitation to spring was her "Koyaliya Bole Ambhuwa". She performed on the stage with ease of a well honed performer, which she definitely is going to be soon. She was accompanied on the tabla by Nikhil Joshi, who Dheematana has seen from Baithak 1, and he definitely is a testament to Dheemtana's motto of perfection through performance. On the harmonium was yet another Dheemtana stalwart Medha Korwar, she is blossoming to be a good harmonium player.
Priyank Desai, continued the journey of Baithak 13 with a beautiful rendition of Raag Yaman on bansuri. He stepped in to fill up the slot vacated by Pramod Korwar as he was down with the spring affected flu. Nikhil once again proved that even without any practice he can accompany as well as with practices. His saath for Priyank's flute was simply superb.
Shishir Neelakant, followed Priyank with a rendition of Raag Nand. He rendered two traditional bandishes accompanied yet again buy Nikhil on tabla and Medha on harmonium. It seems that the Nikhil-Medha duo are becoming quite a combination to reckon with. Shishir rendered his alaaps, and was highlighted with his layakaris which he improvised very well.
Anand Karve did complete justice to the Raag Multani which he played with ease on his 22 Shruthi harmonium. The ease at which he rendered the raag was a treat to watch and hear. Satish Tare-Ji accompanied him on the tabla, words cannot express the delight he gives when you listen to his hands flying across the tabla. Dheemtana is indebted to him for his continued support and encouragement. The pair of Anand and Satish-Ji on stage was a fitting finale for the baithak.
Once again the baithak was a complete amalgamation of talent, different raags and moods. All in all the baithak itself was perfect to herald the arrival of spring and the young and young at heart artists ensured that the hearts of the audience springed with joy.
The website has been updated, and we will post this commentary on the blog. Dheemtanites are encourage to blog regarding the baithaks and post their comments so we can improve as a team and as individual performers.
Change is in the air all around us, Dheemtana definitely is not immune to this. The Baithak 13 heralded this with new artists on the stage, and an amalgamation of raags. The organization of the baithaks become streamlied with some of the activities being handed over to committees. Thanks to Kalyani Prasad for volunteering to handle the food committee which was a little lacking since we moved the venue to Los Altos Library hall. Yesterday's feast at the end of baithak made sure this is changed for good. Dheemtana has been fortunate that Annaji Garimella has de-facto become the Video Committee head, we have been recording all the videos but due to the lack of internet bandwidth we are forced not to put up the videos. We will try to use some of the free streaming sites to add these videos into, and link it to our sites. This a definite change that has to happen.
Baithak 13 started with the first of the new artists, Sonia Dubey, she presented Raag Durga. A wonderful rendition, a short but sweet performance. She was accompanied on the harmonium by Rhucha Joshi, who did a fantastic job on the peti, on tabla was Rhucha's brother Rahul Joshi who did a wonderful job on the tabla. Dheemtana would definitely do more with these younsters in the team. Sonia's raagdhari, and presentation skills was worth mentioning.
Prachi Prasad, yet another first timer, did a superb job of Raag Tilak Khamod. The "Begi Begi Aaye Hari" was wonderfully rendered, and fitting invitation to spring was her "Koyaliya Bole Ambhuwa". She performed on the stage with ease of a well honed performer, which she definitely is going to be soon. She was accompanied on the tabla by Nikhil Joshi, who Dheematana has seen from Baithak 1, and he definitely is a testament to Dheemtana's motto of perfection through performance. On the harmonium was yet another Dheemtana stalwart Medha Korwar, she is blossoming to be a good harmonium player.
Priyank Desai, continued the journey of Baithak 13 with a beautiful rendition of Raag Yaman on bansuri. He stepped in to fill up the slot vacated by Pramod Korwar as he was down with the spring affected flu. Nikhil once again proved that even without any practice he can accompany as well as with practices. His saath for Priyank's flute was simply superb.
Shishir Neelakant, followed Priyank with a rendition of Raag Nand. He rendered two traditional bandishes accompanied yet again buy Nikhil on tabla and Medha on harmonium. It seems that the Nikhil-Medha duo are becoming quite a combination to reckon with. Shishir rendered his alaaps, and was highlighted with his layakaris which he improvised very well.
Anand Karve did complete justice to the Raag Multani which he played with ease on his 22 Shruthi harmonium. The ease at which he rendered the raag was a treat to watch and hear. Satish Tare-Ji accompanied him on the tabla, words cannot express the delight he gives when you listen to his hands flying across the tabla. Dheemtana is indebted to him for his continued support and encouragement. The pair of Anand and Satish-Ji on stage was a fitting finale for the baithak.
Once again the baithak was a complete amalgamation of talent, different raags and moods. All in all the baithak itself was perfect to herald the arrival of spring and the young and young at heart artists ensured that the hearts of the audience springed with joy.
The website has been updated, and we will post this commentary on the blog. Dheemtanites are encourage to blog regarding the baithaks and post their comments so we can improve as a team and as individual performers.
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